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Edward Calvert (1789-1883) English wood-engraver and painter. The son of a soldier, he entered the Navy but left the service after the death in action of his closest friend. He studied drawing in Plymouth with Thomas (or James) Ball and with Turner's champion Ambrose Bowden Johns (1776–1858). In 1824 he moved to London and entered the Royal Academy Schools. Through John Giles, Samuel Palmer's cousin, Calvert met William Blake and the Shoreham circle of the Ancients. He visited Shoreham and, supported by private means, escaped from his Academy studies to pursue his interest in wood-engraving. Rich in Arcadian imagery and chiaroscuro, Calvert's 11 miniature prints, produced between 1827 and 1831, are masterpieces of the medium and are among the most intense expressions of the Ancients' artistic sensibility. Like Palmer, he was inspired by Blake's illustrations to Thornton's edition of Virgil, but the figural content of Calvert's prints, of which the finest is the Chamber Idyll (1831), is more akin to his friend and fellow student George Richmond's interpretation of Blake than to Palmer's. Unlike the other Shoreham artists, Calvert did not base his pastoral visions on religious poetry such as that of Milton or Bunyan, but found inspiration in Theocritus and other pagan idylls. Early states of his prints frequently incorporated Christian sentences (e.g. the Cyder Feast) apparently less out of conviction than a desire to refute charges of paganism, since he removed them from later states.
Title: The Bride, 1828 Materials: Line engraving on paper, in sepia ink Size: 7.6 x 12.7cm Price: £3000
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